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Performer: Sir Simon Rattle

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LondonJazz at Lincoln Center

Marsalis: The Jungle
Jazz at Lincoln Center Orchestra; Wynton Marsalis; London Symphony Orchestra; Sir Simon Rattle

LondonPercy Grainger

Grainger
London Symphony Orchestra; Sir Simon Rattle; Gerard McBurney

LondonGershwin, Ives, Harris and Bernstein

Gershwin, Ives, Harris, Bernstein
London Symphony Orchestra; Sir Simon Rattle; Kirill Gerstein

LondonLSO/Rattle: Season Opening

© Chris Christodoulou | BBC Proms
Turnage, Tippett, Adès, Britten
London Symphony Orchestra; Sir Simon Rattle; Peter Donohoe

LondonLSO Discovery Day: Great British Composers of the 20th & 21st Centuries

Britten, Tippett, Adès, Turnage
London Symphony Orchestra; Sir Simon Rattle
Latest reviewsSee more...

A Beethoven Ninth to remember from Rattle and the LSO

Sir Simon Rattle conducts the LSO © Candice Witton

Is it still permitted to play the Adagio of Beethoven's Ninth like this?

*****
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Outstanding Beethoven, disappointing Berg from the LSO

Sir Simon Rattle and the LSO in Berg and Beethoven © Mark Allan
With fabulous solo singing from Pavol Breslik and Elsa Dreisig, Beethoven's only oratorio Christ on the Mount of Olives turns out to be a gem. Sadly, the Berg Violin Concerto misses the mark.
****1
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Schooled in Vienna: Rattle and the LSO in Berg and Beethoven

Dorothea Röschmann, Sir Simon Rattle and the London Symphony Orchestra © Mark Allan | Barbican
Oppressed by the prospect of wall-to-wall LvB throughout 2020? Here was a joyous reminder of why we are celebrating.
****1
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Camilla Nylund makes impressive Met debut in Rosenkavalier revival

Camilla Nylund (Marschallin) © Karen Almond | Met Opera
The Met revives Robert Carsen's updated production of Der Rosenkavalier with a strong cast led by Camilla Nylund.  Sir Simon Rattle led the Met Orchestra in an inspired and detailed reading of the score.
*****
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Magdalena Kožená and friends at Alice Tully Hall

Kaspar Zehnder, Simon Rattle, Magdalena Kožená and Dávid Adorján © Kevin Yatarola, courtesy of Lincoln Center
In music by Janaček and Dvořák, Kožená seemed to just enjoy the freedom to perform in her native idiom. 
****1
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