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LondonThe Magic Flute

Mozart: Die Zauberflöte (The Magic Flute)
Dalia Stasevska; Sir David McVicar; The Royal Opera; Julia Jones; John Macfarlane; Paule Constable
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Carmen at Glyndebourne: a timeless tragedy
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Diane Paulus' staging is remarkably true to the original while making it feel like the work was written yesterday.
Mozart’s Entführung as a jukebox musical in Zurich
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The Opernhaus Zurich revives a 2016 production by David Hermann, where the spoken dialogue is removed and the story completely altered.
Beautiful Sing, but no Spiel: an unusual Munich Entführung
Ivor Bolton leads the Bayerische Staatsorchester in a delightful musical rendition of Mozart’s masterpiece, with a great performance by Pavol Breslik as Belmonte.
Jurowski's Mahler 2: “In my End is my Beginning”
Impressive control from Vladimir Jurowski and his LPO forces in Mahler's great work about death and resurrection, but with obvious clinical detachment too.
Die Zauberflöte at Glyndebourne: a mixed bag of paper cut-outs
André Barbe and Renaud Doucet's Magic Flute is ideal entertainment for a fizz-filled summer night.
A topsy-turvy Rheingold in concert from Jurowski and the LPO
Robert Hayward was unafraid to 'go ugly' when need be in Jurowski's symphonically executed concert performance.
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DallasMahler’s Symphony no. 2 – “Resurrection”

Mahler: Symphony no. 2 in C minor "Resurrection"
Dallas Symphony Orchestra; Fabio Luisi; Dallas Symphony Chorus; Anthony Blake Clark; Sofia Fomina; Catriona Morison
