Performer: TBC

Upcoming eventsSee more...

ViennaAlso sprach Zarathustra

Konzerthaus: Großer Saal, Sat 27 Apr at 16:30 and 18:30

Strauss R.: Also sprach Zarathustra, Op.30

Vienna Symphony Orchestra; Susanna Mälkki; TBC

Buy tickets

Opernhaus, May 02 at 17:00

Wagner: Die Walküre

Ulf Schirmer; Rosamund Gilmore; Oper Leipzig; Carl-Friedrich Oberle; Nicola Reichert; Simon O'Neill; Randall Jakobsh

Buy tickets

Lyric Opera House, May 03 19:00, May 04 19:00, May 05 13:30, May 09 19:00, May 10 20:00, May 11 13:30, 19:00, May 12 13:00, May 14 19:00, May 15 13:30, May 16 13:30, 19:00, May 17 19:00, May 18 13:30, 19:00, May 19 13:30, May 21 19:00, May 22 13:30, 19:00, May 23 19:00, May 24 19:00, May 25 13:30, 19:00, May 26 13:30, May 28 19:00, May 29 13:30, 19:00, May 30 19:00, May 31 19:00, Jun 01 13:30, 19:00, Jun 02 13:30

Bernstein: West Side Story

TBC; Francesca Zambello; Lyric Opera of Chicago; Peter J. Davison; Jessica Jahn; Jerome Robbins; Chicago Lyric Opera Orchestra

Buy tickets

Opernhaus, May 05 at 17:00

Wagner: Götterdämmerung

Ulf Schirmer; Rosamund Gilmore; Oper Leipzig; Carl-Friedrich Oberle; Nicola Reichert; Ian Storey; Thomas Mohr

Buy tickets

Aula des Widukind-Gymnasiums, Sat 11 May at 17:00

Britten, Bach, Elgar, Mozart

North West German Philharmonic; TBC; Felicia Terpitz

Buy tickets

Latest reviewsSee more...

Montreal audience elated with OSM's Messiah

Paul McCreesh conducts the OSM © Antoine Saito

Ian Cochrane, 18 Dec

It is a high order to mount a captivating performance of a work so widely known and performed as Handel's Messiah.

****1

John Daszak Alviano) © Monika Rittershaus

Sarah Batschelet, 23 Sep

Barrie Kosky’s production of Franz Schreker’s Die Gezeichneten (The Branded) is in keeping with what was long considered one of the early 20th century’s most scandalous works.

****1

Sarah Grether (Weiße Gazelle) and Camilla Nylund (Die Kaiserin) © Hans Jörg Michel (2017)

Hugo Shirley, 16 Sep

Guth's incisive staging of Strauss and Hofmannsthal's grandest opera proves a moving and detailed experience at its transfer to the reopened Staatsoper.

****1