Performer: Thomas Oliemans

Mark-Anthony Turnage's operatic adaptation of Thomas Vinterberg's tale of abuse provides rich entertainment even as it shocks.

Johann Strauss II's Die Fledermaus, was never meant to challenge grand opera for profundity and Barrie Kosky pokes fun at Viennese high society in his riotous staging. 

The world premiere of Marc-André Dalbavie's Melancholie des Widerstands at the Staatsoper Unter den Linden marks the birth of a new genre – the film-opera – starring conductor Marie Jacquot and Philippe Jaroussky.