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Strongly cast Guillaume Tell hits its mark at Theater an der Wien
Osborn absolutely lives the part; he negotiated formidable heights, intricate passage work and the sheer volume of notes with style and clarity as well as colour and nuance.
Dresden's Daphne relocated into Nazi Germany
Torsten Fischer's Nazified production of Strauss' Daphne in the Semperoper Dresden may leave you confused, but it receives a solid performance.
Gluck's Iphigénie en Aulide at the Theater an der Wien
Institutional violence has been a running theme in Torsten Fischer’s series of Gluck operas at the Theater an der Wien, albeit with a lid kept firmly on the idea of actual conflict.