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Macerata's Don Giovanni: a yellow cab to hell
Livermore's staging implies two different storylines – do we only see the result of Don Giovanni's hallucinations?
Vick's new Magic Flute opens the Macerata festival
The Magic Flute's roots in popular theatre come through most strongly throughout Vick's production, which sparkles with a wealth of witty detail. But treatment of the work's socio-political undercurrents doesn't work nearly as well.
Intrigues royales à La Monnaie (2) : irrégulière Favorita
Deuxième moitié du diptyque lyrique italien proposé par l'opéra bruxellois, l'opéra de Donizetti est interprété par une distribution inégale, dans laquelle s'illustrent notamment Vittorio Prato et Raffaella Lupinacci.
