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Performer: Vivica Genaux

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ZürichL'OlimpiadeNew production

Pergolesi: L'Olimpiade
Ottavio Dantone; David Marton; Zurich Opera; Christian Friedländer; Tabea Braun; Carlo Allemano; Sophie Junker

ZürichLa donna del lago (konzertant)

La donna del lago (konzertant)
Rossini: La donna del lago (The Lady of the Lake)
Antonino Fogliani; Zurich Opera; Edgardo Rocha; Karine Deshayes; Vivica Genaux; Sergey Romanovsky

BarcelonaVivica Genaux and Vespres d’Arnadí: Handel opera arias

© Ribalta Luce
Handel: Various Arias
Vespres d'Arnadi; Dani Espasa; Vivica Genaux

LinzThe Triumph of Time and Truth

Handel: The Triumph of Time and Truth
Rubén Dubrovsky; Yeree Suh; Vivica Genaux; Delphine Galou; Sebastian Kohlhepp
Latest reviewsSee more...

A remarkable rendition of Handel’s Silla at the Enescu Festival

Fabio Biondi, Sonia Prina and Europa Galante © Alex Damian
Europa Galante's musicians’ collective expertise in playing music of the 17th and 18th centuries is indisputable and was in full display once again in Bucharest. 
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Festkonzert with Genaux and Zazzo at the Halle Handel Festival 2019

Wolfgang Katschner, Vivica Genaux and Lawrence Zazzo with the Lautten Compagney Berlin © Thomas Ziegler
Vivica Genaux joins Lawrence Zazzo in a concert of arias and duets by Handel and other Baroque composers.
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Vivica Genaux and Sydney's Pinchgut wow Melbourne

Vivica Genaux and Erin Helyard © Albert Comper
Vivica Genaux enjoys huge success in a Melbourne concert of Baroque delights, the first venture of Sydney's Pinchgut Opera Company outside its home turf.
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Hasse's Artaserse receives its Australian première

Vivica Genaux (Mandane) and David Hansen (Arbace) © Brett Boardman
Perhaps Pinchgut Opera's finest production to date, a brave presentation of a classic Baroque opera, little heard in Australia apart from Handel, benefits from the star presence of Vivca Genaux in splendid form.
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A Serse like no other from Il pomo d'oro

Maxim Emelyanychev © Jean-Baptiste Millot
A star cast and red-hot conducting make for a memorable night at the Barbican.
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