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A new Onegin underwhelms at La Scala
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Mario Martone’s new production is inconsistent, while the musical performance is hindered by lacklustre conducting and a miscast prima donna.
A tale of two basses: Mussorgsky’s Boris Godunov at La Scala
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Ildar Abdrazakov and Ain Anger excel in the confrontation of tsar and historian; Kaspar Holten's safe but effective staging focuses on the relentless march of history.
Turin's Salome devoid of lunar magic
With so little of worth happening onstage, this performance requires a unanimously strong set of performances from the main cast.