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Performer: Yulia Van Doren

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Los AngelesBoston Baroque

Corelli, Vivaldi, Bach, Rameau, Handel
Martin Pearlman; Yulia Van Doren; Boston Baroque
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Messiah rings in the festive season in Toronto

Nicholas McGegan © Steve J Sherman
English conductor Nicholas McGegan led a responsible reading of Handel's now-classic oratorio, infusing some dramatic and lyrical touches into a largely unruffled evening.
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Handel's Messiah in Cleveland

Yulia Van Doren © Andrew Schaff
Despite mostly solid work from soloists and chorus, several ensemble problems and overall stylistic decisions diminished this performance's success.
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An inspired Mozart Requiem from Houston

Houston Symphony's Andrés Orozco-Estrada brings remarkable intention to Mozart's sacred masterpiece. 
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Opera Lafayette's minimalistic Actéon conquers the Kennedy Center

For almost two decades, Opera Lafayette has been known to DC opera fans as a period-based ensemble reviving long-forgotten gems of French Baroque and Rococo chamber opera repertoire. On Thursday night, the Kennedy Center’s Terrace Theater hosted Opera Lafayette’s most recent creation: its production of Marc-Antoine Charpentier’s pastorale/tragédie en musique Actéon.
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Mark Morris premieres new work in Brooklyn

Even Mikhail Baryshnikov was curious to stop by the Brooklyn Academy of Music (BAM) on Thursday March 1st to the witness the world premiere of Mark Morris’ A Choral Fantasy. The work sets movement to the score of Beethoven’s Fantasy in C minor for piano, chorus, and orchestra, Op. 80.
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