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Fragments by Brahms, Schoenberg and Schubert orbit Beethoven's Waldstein and Schumann's Carnaval in another masterful recital from Sir Stephen Hough.  

The BalletBoyz present an entertaining programme of old and new works spanning the last 25 years – with stellar performances.

A stupendous London debut from Tulsa Ballet in which they present a contrasting triple bill. It bodes well for further invitations to dance in the UK.

Ballet isn’t always pretty, there are plenty of examples in repertoires across the world. John Neumeier’s Streetcar Named Desire (Endstation Sehnsucht) is to reach another level of grim but gripping brutality told through dance.

A very welcome and hilarious return to the UK from Les Ballets Trockadero de Monte Carlo, this time at Sadler’s Wells, they offer familiar and new works.

Six works, including two world premieres, made up the latest program from Parsons Dance. Thoroughly joyful, the audience were sent home buzzing.

17 years after its premiere, Andrea Miller’s BLUSH, set on her company, GALLIM, returned to entrance and perplex in equal measure at New York’s 92nd St Y.

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.