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Bill T. Jones/Arnie Zane Company captures the audience for seven hours during this trilogy of works meditating on memory, suffering, and relationships.

Sydney Dance Company's contrasting double bill revisits Rafael Bonachela's elegantly reflective Frame of Mind and premieres Antony Hamilton's bemusing and rave-inspired Forever & Ever.

A forward-looking celebration of the past twenty years' of dance at Sadler's Wells, presenting the work of three emerging choreographers.

NDT 2’s 'microcosm' is on display at the Haus der Berliner Festspiele with a mixed bill of four works created for these young talents

Projecting [space[ by Meg Stuart / Damaged Goods is a two hour immersion between dance and performance art, a way of finding the Other within us, presented at the Reinbeckhallen for HAU.

As City Ballet grapples with lawsuits and lurid accusations, and the loss of an unprecendented number of male principals, new works by Kyle Abraham, Gianna Reisen, and Matthew Neenan stoke inspired performances from the dancers. 

Abstract ballet always asks the question of meaning, and Alonzo King Lines Ballet is one of the few companies that answers that question with existential exactness. 

Les Grands Ballets Canadiens has brought a brand new piece to the stage; a neo-classical adaptation of D.H. Lawrence’s controversial novel, Lady Chatterley’s Lover.