Exciting, innovative 3D Dutchman from Victorian Opera

By Brian Angus, 20 February 2015

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Reviewed at Palais Theatre, Melbourne on 19 February 2015

Wagner, Der fliegende Holländer (The Flying Dutchman)

Victorian Opera

Richard Mills, Conductor

Roger Hodgman, Director

Lori Phillips, Senta

Bradley Daley, Erik

Oskar Hillebrandt, Dutchman

Warwick Fyfe, Daland

Liane Keegan, Mary

Australian Youth Orchestra

Victorian Opera Chorus

Mozart’s Abduction from the Seraglio updated for Melbourne

Sandra Bowdler, 12th August

Director Constantine Costi updates the action of Mozart's Singspiel to a secluded cross between a cult headquarters and a nightclub.

***11

Victorian Opera brings La Cenerentola to Tasmania

Sandra Bowdler, 25th November

A single performance of Rossini's Cinderella story in Launceston, Tasmania was an unmitigated delight, with a sparkling cast of international performers.

****1

A compelling Parsifal from Victorian Opera in Melbourne

Brian Angus, 20th February

The Australian Youth Orchestra was full of poise and maturity and all the singing was impressive in Roger Hodgman's production.

*****

Victorian youth breeze through nonsense opera

Patricia Maunder, 30th September

Through youth, technology and playfulness, Victorian Opera's production of Gertrude Stein's avant-garde curiosity becomes a refreshing look into the future.

***11

Borrowed plumes: a new pastiche Baroque opera

David Larkin, 22nd February

A new pastiche opera, Voyage to the Moon offers a collection of Baroque arias and ensembles woven into a retelling of the Orlando story.

****1

Pratt and Albelo a dream bel canto partnership

Simon Holden, 2nd July

The role of Elvira in Bellini's I puritani requires every weapon in the bel canto soprano's armoury: Jessica Pratt has it all!

****1

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Brian Angus

Brian is a lover of opera, and has enjoyed attending operas for over forty years. Brian has very catholic tastes; favourite classic composers are Richard Wagner and Giuseppe Verdi, contemporary composers John Adams and Jake Heggie, and a curiosity about Stockhausen’s music. He is always seeking opportunities to expand his appreciation of the world of music and opera.