How to Fall Apart: AMOC tackles climate change through dance

How to Fall Apart by AMOC

How to Fall Apart with Yiannis Logothetis, Coleman Itzkoff and Keir GoGwilt

How to Fall Apart by AMOC

By Erin Bomboy, 12 February 2023

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“it filters the bombast of dramatic opera through the esoterica of downtown dance”

Reviewed at Baryshnikov Arts Center, Jerome Robbins Theater, New York City on 10 February 2023

How to Fall Apart

Keir GoGwilt, Violin

Coleman Itzkoff, Cello

Julia Eichten, Dancer

Matilda Sakamoto, Dancer

Yiannis Logothetis, Dancer

BRB’s Sir Peter Wright Centenary: a fitting tribute

Graham Watts, 18th June

A splendid evening of celebration for Sir Peter Wright at the Birmingham Hippodrome focusing on excerpts from his own classical ballets and The Green Table by Kurt Jooss.

****1

Royal Ballet School, School of American Ballet: the future is bright

Amanda Jennings, 18th June

An evening of outstanding dancing from the Royal Ballet School and the School of American Ballet. It was a case of spotting tomorrow’s stars in a beautifully balanced programme.

*****

Acosta Danza Yunior: fabulous dancers, uneven choreography

Deborah Weiss, 17th June

A welcome to Acosta Danza Yunior who have bags of potential. However, not all of the choreography engaged their talents sufficiently in this programme.

***11

Jesús Carmona in UnYdos: extraordinary, rhythmic and theatrical

Graham Watts, 16th June

Compañía de Danza Jesús Carmona in UnYdos was a stunning evening of pure flamenco artistry, enlivened by a tremendous sense of theatre, and augurs well for the rest of the festival.

*****

The Royal Ballet School at the Linbury: innovation and quality

Maggie Foyer, 16th June

The Royal Ballet School performing as part of the Next Generation Festival, offered a host of works by both students and internationally renowned choreographers which proved to be highly enjoyable.

*****

Dutch National Ballet’s Masters of Movement: mixed results

Mark Vicente, 11th June

Dutch National Ballet presents a triple bill of interesting contemporary works that show off the depth of talent within all ranks of the company.

***11

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Erin Bomboy

Erin Bomboy has been writing about dance since 2013. She trained as a classical ballet dancer and spent a decade as a professional competitive ballroom dancer. She holds an MFA in Dance Performance and Choreography from New York University Tisch School of the Arts, where she was mentored by Deborah Jowitt. She lives in New York City with her husband, daughter and fabulous Maine Coon cat. In her free time, Erin enjoys bacon, books, wine and working out.