In Pursuit of Love: Piatti Quartet plays Borodin and Tchaikovsky

By Roy Westbrook, 13 February 2025

Loading, please wait...

See full listing

“small wonder that it reduced Tolstoy to tears”

Reviewed at Kings Place: Hall One, London on 13 February 2025

Borodin, String Quartet no. 2 in D major

Tchaikovsky, String Quartet no. 1 in D major, Op.11

Piatti Quartet

Piatti Quartet: cinema without the moving pictures in Sheffield

Phil Parker, 6th November

Is there a difference between music composed for films and music used in films? Can the former have a life beyond film? The Piatti Quartet looks for answers.

****1

Dazzling Prokofiev from Alim Beisembayev and the RLPO

Peter Connors, 26th April

In an all-Russian programme in Liverpool, Alim Beisembayev gives a breathtaking performance of Prokofiev's fiendishly difficult Second Piano Concerto.

****1

A Evgeny Kissin tour de force in Boston

Kevin Wells, 25th April

Andrey Boreyko makes an impressive debut with the Boston Symphony, where Evgeny Kissin performs in not one, but two piano concertos.

****1

Wretches like us: the LPO’s concert Wozzeck cuts to the quick

Peter Quantrill, 25th April

Beautifully prepared singing and playing brings out the tender side to Berg's modernist classic as part of the Southbank Centre’s Multitudes festival.

****1

Peter Whelan and Carlos Ferreira ignite Brahms and Weber in Dublin

Andrew Larkin, 24th April

Peter Whelan drew rare urgency and transparency from Brahms, while Carlos Ferreira’s lyrical finesse elevated Weber beyond expectation.

*****

Patriotic angst with the Royal Northern Sinfonia and Thomas Zehetmair

Nick Butters, 24th April

Patriotic Sibelius and early Mendelssohn are served up at the Glasshouse in Gateshead.

***11

More reviews...

Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.