Lamb and McRae open The Royal Ballet's season

By Margaret Willis, 21 September 2015

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“non-stop action, swashbuckling sword fights, virtuoso dancing... and the silkiest of pas de deux”

Reviewed at Royal Opera House, Covent Garden, London on 19 September 2015

Romeo and Juliet

The Royal Ballet

Koen Kessels, Conductor

Nicholas Georgiadis, Set Designer

Orchestra of the Royal Opera House Covent Garden

Sarah Lamb, Dancer

Steven McRae, Dancer

Alexander Campbell, Dancer

Tristan Dyer, Dancer

Gary Avis, Dancer

Ryoichi Hirano, Dancer

Acosta's Don Quixote for BRB: polished but not quite enough panache

Jonathan Gray, 23rd April

Carlos Acosta's Don Quixote for Birmingham Royal Ballet returned to Sadler's Wells with polished but low-key interpretations across the board.

***11

The Royal Ballet and McGregor: stunning dancing but nothing really new

Deborah Weiss, 18th April

An evening of ballets by Wayne McGregor, including the world premiere of Quantum Souls, proved to be a little too much of the same thing.

***11

The Center Will Not Hold: Dorrance Dance thrills at Sadler's Wells

Daniel Pratt, 17th April

Dorrance Dance offer a compelling mix of genres in The Center Will Not Hold – high energy, full of surprises, top quality performances.

****1

Natalia Makarova's La Bayadère: a night to remember in Oslo

Vikki Jane Vile, 17th April

Norwegian National Ballet gives a marvellous rendition of Natalia Makarova's La Bayadère. Opening night in Oslo was a strong argument for its place in any season, displaying ballet escapism at its best.

****1

Scottish Ballet’s Starstruck: plenty of pzazz in Glasgow

Kathy Elgin, 16th April

Christopher Hampson’s newly updated Starstruck is thoroughly entertaining with sexy solos, classical pas de deux and lines of perfectly-timed Broadway hoofing.

****1

International Draft Works at the Linbury brought much to delight

Amanda Jennings, 16th April

The Royal Ballet's International Draft Works proved to be an excellent opportunity to see dancers and budding choreographers from around the world.

****1

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Margaret Willis

Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.

Lamb and McRae open The Royal Ballet's new season with Romeo and Juliet