Mathieu Geffré's What Songs May Do... is a very touching experience

What Songs May Do... for Rendez-vous Dance with Oliver Chapman and Paolo Pisarra

By Kathy Elgin, 09 August 2024

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“taking his dancers through naturalistic movement to more exuberant leaps, quirkiness and playfulness”

Reviewed at Dance Base Studio 1, Edinburgh on 6 August 2024

What songs may do... (Mathieu Geffré)

Rendez-Vous dance

Ballet Nights 011 – Convergence a winning formula at Cadogan Hall

Deborah Weiss, 29th April

Another tick for the Ballet Nights team, the audience at Cadogan Hall enjoying a varied and exceptional programme of new and legacy works.

****1

National Ballet of Japan’s Raymonda is a feast of excellent dancing

Naomi Mori, 25th April

National Ballet of Japan’s Raymonda is a gem in the repertoire, despite shortcomings in the plot. Lavish production designs, stunning classical choreography and excellent dancers makes this a ballet lover's heaven.

*****

Mira Nadon’s sparkling debut in Firebird with New York City Ballet

Ivy Lin, 25th April

A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.

*****

The Australian Ballet does Romeo and Juliet: precision over passion

Katie Lawrence, 24th April

This revival of Romeo and Juliet combines vivid staging and technical leads, but the lover's careful partnership lacks the volatility that makes young love convincing and tragedy believable.

***11

Acosta's Don Quixote for BRB: polished but not quite enough panache

Jonathan Gray, 23rd April

Carlos Acosta's Don Quixote for Birmingham Royal Ballet returned to Sadler's Wells with polished but low-key interpretations across the board.

***11

The Royal Ballet and McGregor: stunning dancing but nothing really new

Deborah Weiss, 18th April

An evening of ballets by Wayne McGregor, including the world premiere of Quantum Souls, proved to be a little too much of the same thing.

***11

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Kathy Elgin

After a career in publishing, Kathy Elgin turned her enthusiasm for dance into a real job by joining the late, great John Percival, Dance Critic of The Times, in his re-launch of Dance and Dancers magazine in 1981. She was later delighted to join its rival, The Dancing Times, as Scottish correspondent until the magazine’s sad demise in 2022. She lives in Edinburgh.