Upcoming eventsSee more...
SalzburgSaint François d'AssiseNew production

Messiaen: Saint François d'Assise
Maxime Pascal; Romeo Castellucci; Vienna Philharmonic
SalzburgORF Vienna Radio Symphony Orchestra · Blex

Zimmermann, Strauss R., Tchaikovsky
ORF Vienna Radio Symphony Orchestra; Christian Blex; Hanna-Elisabeth Müller
SalzburgThe Prince of Homburg (Der Prinz von Homburg)Concert performance

Henze: The Prince of Homburg (Der Prinz von Homburg)
Ingo Metzmacher; ORF Vienna Radio Symphony Orchestra; Maximilian Schmitt; Tanja Ariane Baumgartner; Kathrin Zukowski
SalzburgGustav Mahler Jugendorchester · Jordan

Bartók, Bruckner
Gustav Mahler Jugendorchester; Philippe Jordan
SalzburgRichard Wagner’s “Die Walküre”Concert performance

Wagner: Die Walküre
Kirill Petrenko; Berliner Philharmoniker; Jamez McCorkle; Brindley Sherratt; Christopher Maltman
Latest reviewsSee more...
Bread and Transfiguration: Saint François d’Assise in Salzburg

Romeo Castellucci’s new production brings body art and live animals to the stage of the Felsenreitschule, with unpredictably rewarding results.
Petrenko and Serebrennikov forge a new Ring in Salzburg

The Berliner Philharmoniker’s much-anticipated return to Salzburg gets off to an impressive musical start. Kirill Serebrennikov’s staging raises numerous questions, but answers few of them.
A Whitsun Festival crowned by Rossini’s magic in Salzburg

An exciting gala concert led by Cecilia Bartoli closed the Whitsun Festival in Salzburg, under the expert baton of Gianluca Capuano.
Emotional Mozart at the Salzburg Whitsun Festival

Gianluca Capuano leads a great ensemble in a thoughtful, emotional reading of Mozart’s Mass in C minor.
A garden of musical delights: La clemenza di Tito at the Mozartwoche

While the semi-staging falters, Hanna-Elisabeth Müller and Magdalena Kožená prove a thrilling pair in Mozart's final opera seria.
A Haydn rarity: L’anima del filosofo at the Salzburg Whitsun Festival

The festival presents an illuminist take on the myth of Orpheus in a convincing concert performance of a rarely performed opera by Haydn.
Bluebeard as psychothriller in Castellucci's mismatched double bill
Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler.
There will be blood: Elektra in Salzburg
An Elektra conducted like Mendelssohnian fairy music, sung not shouted, just as Strauss required.
