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Venue: Felsenreitschule, Salzburg

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AddressHofstallgasse 1
5020 Salzburg
Austria
Google maps47° 47' 54.420" N 13° 2' 31.289" E
March 2027
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Evening performance
Matinee performance
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SalzburgRichard Wagner’s “Die Walküre”Concert performance

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Wagner: Die Walküre
Kirill Petrenko; Berliner Philharmoniker; Jamez McCorkle; Brindley Sherratt; Christopher Maltman
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Bread and Transfiguration: Saint François d’Assise in Salzburg

Philippe Sly (Saint François) © SF | Monika Rittershaus
Romeo Castellucci’s new production brings body art and live animals to the stage of the Felsenreitschule, with unpredictably rewarding results.
****1
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Petrenko and Serebrennikov forge a new Ring in Salzburg

Brenton Ryan (Loge) and Christian Gerhaher (Wotan) © Frol Podlesnyi
The Berliner Philharmoniker’s much-anticipated return to Salzburg gets off to an impressive musical start. Kirill Serebrennikov’s staging raises numerous questions, but answers few of them. 
****1
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A Whitsun Festival crowned by Rossini’s magic in Salzburg

Sergey Romanovsky and Cecilia Bartoli © © SF/Marco Borrelli

An exciting gala concert led by Cecilia Bartoli closed the Whitsun Festival in Salzburg, under the expert baton of Gianluca Capuano.

****1
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Emotional Mozart at the Salzburg Whitsun Festival

Regula Mühlemann, Gianluca Capuano and Les Musiciens du Prince © SF | Marco Borrelli

Gianluca Capuano leads a great ensemble in a thoughtful, emotional reading of Mozart’s Mass in C minor

****1
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A garden of musical delights: La clemenza di Tito at the Mozartwoche

Jordi Savall © Wolfgang Lienbacher
While the semi-staging falters, Hanna-Elisabeth Müller and Magdalena Kožená prove a thrilling pair in Mozart's final opera seria. 
***11
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A Haydn rarity: L’anima del filosofo at the Salzburg Whitsun Festival

Rolando Villazón © Salzburger Festspiele | Marco Borrelli
The festival presents an illuminist take on the myth of Orpheus in a convincing concert performance of a rarely performed opera by Haydn. 
****1
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Bluebeard as psychothriller in Castellucci's mismatched double bill

Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler. 
***11
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There will be blood: Elektra in Salzburg

An Elektra conducted like Mendelssohnian fairy music, sung not shouted, just as Strauss required.
****1
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