Venue: Joyce Theater, New York City

Rennie Harris' theatrical works of street dance have toured the globe. In American Street Dancer he focuses on the preservation of three distinct styles closer to home. 

A trippy compounding of dance, music, costumes and lighting in the world premiere of Andrea Miller's MOTHER. 

Compagnie DYPTIK from Saint-Étienne has returned to New York with an evening-length work inspired by a medieval 'dancing plague' and modern-day lockdowns. 

Angelin Preljocaj's Gravity triumphed on opening night in New York despite official cock-up. 

José Limón's The Emperor Jones is relocated to Wall Street and a visually stunning new work from heralded Mexican choreographer Diego Vega Solorza challenges gender binaries.  

Mark Morris Dance Group’s second week at the Joyce Theater in New York unveiled a world premiere in a mixed bill that represented a narrow range of Morris’ dazzling creativity.

An interesting triple bill with some rarely seen Paul Taylor works carefully reconstructed. Esplanade still sends the audience home filled with joy.

An intriguing reconstruction of an early work by Paul Taylor created on Pina Bausch and Dan Wagoner and a classic of barbed satire made a powerful triple bill by PTDC.