Venue: St George's Bristol

In Memoirs of a Pear-Shaped Life, Erik Satie, the eccentric French Normandy composer, was defined on stage in three different forms, each with a bowler hat, in a music theatre performance of Satie's life.

Two interlocking grand pianos, the front with its lid removed, centred the stage of pale pink lights at St George’s. The Labèque sisters, Katia and Marielle perform Ravel, Schubert, Bernstein and Glass. 

Laurence Cummings and the Orchestra of the Age of Enlightenment celebrate two anniversaries in a programmed of works by Johann Sebastian Bach and his sons. 

The fugue made an interesting subject for the Brodsky Quartet’s concert at St Georges. The programme delved into the fugue’s cross over between eras, from Baroque, all the way to early expressionism.

Richard Boothby gave a simple and informative evening’s concert of Telemann’s 12 fantasias at St Georges, Bristol.

To see three passionate ambassadors of their instruments performing together made a sensationally satisfying evening at St Georges, Bristol.

In the first of two performances of this concert, St. George’s welcomed Michael Barenboim and the Oxford Philharmonic Orchestra, previously known as the Oxford Philomusica.

Having recently retired after a herniated disc weakened his bowing arm, Julian Lloyd Webber took to the stage last night at St George’s, Bristol as part of a tour he had created to tribute and reflect upon his performance career as one of the world’s leading cellists.