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Venue: International Theater: Grote Zaal, Amsterdam

Fact file
AddressLeidseplein 26
Amsterdam
North Holland
1017
Netherlands
Google maps52° 21' 51.056" N 4° 52' 54.881" E
February 2026
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02030405060708
09101112131415
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02030405060708
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AmsterdamWildsong – Nederlands Dans Theater 1

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Jan Martens; Marcos Morau; Nederlands Dans Theater | NDT 1

AmsterdamI dreamt, it was

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Imre van Opstal; Marne van Opstal; Sharon Eyal; Gai Behar; Nederlands Dans Theater | NDT 2
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Dutch National's Junior Company sets ballet to new rhythms

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The Dutch National's Junior company dazzled in three new works and a Balanchine classic, showcasing the stars of tomorrow.
****1
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Timeless and uplifting: NDT1 dances Crystal Pite

Nederlands Dans Theater 1’s new triple bill premieres Imre Van Opstal and Marne Van Opstal's Take Root alongside works by Sharon Eyal, Gai Behar and Crystal Pite. 
****1
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A feast of virtuosi dances

Shut Eye (Lightfoot & León) is like an alternating current. Woke Up Blind (Goecke) is entertaining and vulnerable. Pite's work hits the rythmic nail on the head. You want to freeze-frame Pite's dancers, snap a picture and hang it on the wall.
****1
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In the Future

In the future features exciting works by Juanjo Arques and Hans van Manen, and is the most exciting programme by the Junior Company so far.
****1
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Traetta's Antigona a forceful Baroque drama in Amsterdam

Tommaso Traetta’s Antigona is given a powerful staging, although not all the voices proved big enough for its mythical subject.
***11
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NDT2 Smoke and Mirrors

Newcomers Imre van Opstal and Marne van Opstal present their first work alongside established choreographers as Sol Leon and Paul Lightfoot. A programme where new and old, humoristic and dark meet.
****1
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A colourful and fast-paced revue in Amsterdam

Mohammed Fairouz’s second opera, The New Prince, premiered in Amsterdam, is directed by Lotte de Beer as a colourful, dizzyingly fast-paced  revue.
***11
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In Amsterdam, a Matrimonio segreto for the future

Young singers, musicians and designers in this Matrimonio segreto co-produced by the three main opera companies in the Netherlands show that, on the stage and in the pit at least, the future of opera is bright.
****1
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