Venue: Worcester Cathedral

Cecil Armstrong Gibbs’ largely forgotten Symphony no. 2, "Odysseus" proves exhausting, while works by Ireland and Howells tap into rich veins of mythical wistfulness and excruciating pain.

Benjamin Britten’s 1948 cantata communicates with more invention and originality than recent works by Tabakova and Rutter.

The world premiere of Gabriel Jackson’s ambitious but inert The World Imagined and a complacent Enigma Variations are outclassed by Samuel Coleridge-Taylor’s gorgeous Solemn Prelude at Worcester Cathedral.

A curious combination of Mozart’s “Great” Mass and Shostakovich’s Twelfth Symphony fill Worcester Cathedral with exuberance.

In a concert of two halves, Worcester Cathedral experiences unforgettable pain and pleasure in works by Strauss, Rasch and Janáček.

Peter Nardone directs the Three Choirs Festival Chorus and Philharmonia Orchestra in a problematic yet thought-provoking opening concert at Worcester Cathedral.

As the majestic horn calls echoed around the vaulted ceiling and full orchestral tuttis shook the very walls, Mahler brought the very heart of Christianity to Worcester's magnificent Cathedral in his truly remarkable “Resurrection Symphony”.

As Britain prepares to celebrate the centenary of World War One, Britten's War Requiem brings a remarkable start to the Worcester Three Choirs Festival.