Work: Fantasia no. 3 in B minor, TWV 40:4

A spellbinding journey as Emmanuel Pahud plays a 70-minute solo programme in a near capacity audience in the 1600-seater concert hall.

Compared to the venue for this concert, the eighteenth century Baroque music in the programme is relatively modern. Beverley Minster was built between the thirteenth and fifteenth centuries. Sitting in the ancient Quire where generations of musicians have sat before, listening to the Historically Informed Performance, the audience was transported into the world of the past.