Work: Fylgia, Op.16 no.4

A study of landscapes, freedom and love from the Anna-Maria Helsing and BBC Concert Orchestra, plus the world premiere of a Trinidadian concerto for orchestra. 

Perelman Stage at Carnegie Hall is by no means a modest-sized concert stage, and the Royal Stockholm Philharmonic Orchestra seemed to take up every square inch of it. The sheer size of the orchestra is initially what struck me, until the opening lines of Rolf Martinsson’s Open Mind, Op. 71.