Work: Suite for harp, Op.83

The centenary of Britten’s birth has seen a surge in performances of his music both in the concert hall and on the stages of many a noted opera house. Sensationalised biographies, radio and television programmes, and a number of Britten-centred festivals have helped to pique further interest in a composer whose music tends to attract a love-hate relationship with its listeners.

A place of pilgrimage for centuries, St. Mary's Church, Whitekirk, overlooks fields – blonde and cropped at this time of year. The acoustic in this concert was, for me, the Lammermuir Festival's most magical match of medium and venue. The Navarra Quartet resonated richly, without in any way compromising clarity.