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Work: Suite for violin and piano, Op.6

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Fact file
ComposerBritten, Benjamin (1913-1976)
PeriodEarly 20th century
Year1935
Work typeInstrumental
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StockholmMonday at Last with Strings and Piano

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Britten, Ravel, Fauré, Benjamin, Debussy
Cecilia Zilliacus; Kati Raitinen; Alasdair Beatson
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Thomas Adès and friends shine at Milton Court

Despite the frequency with which the two composers are compared, Thomas Adès’ music seldom sounds very much like that of Benjamin Britten. But Adès has an uncanny knack of performing Britten’s music in such a way that it resembles his own.
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Birmingham Contemporary Music Group play Britten at Turner Sims

Birmingham Contemporary Music Group is celebrating its 25th anniversary this season, and as it does so it is marking the anniversary of Benjamin Britten’s birth. BCMG is touring a programme of Britten’s early compositions, the second stop of which was at Turner Sims in Southampton.John Woolrich, BCMG Artist-in-Association, was introduced as a “master programmer” by the Turner Sims representative.
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Delius, Britten and Elgar from Tasmin Little and Martin Roscoe

Delius is a composer who is often misunderstood, the English pastoralism of works like On Hearing the First Cuckoo in Spring hardly representative of either his cosmopolitan life or the breadth of his output.
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