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Work: Symphony no. 5 in F major, Op.76

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Fact file
ComposerDvořák, Antonín (1841-1904)
PeriodRomantic
Year1875
Work typeOrchestral
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San SebastiánRuth Reinhardt dirige Hindemith y Dvořák

Ruth Reinhardt dirige Hindemith y Dvořák
Hindemith, Ondarra, Berlioz, Dvořák
Basque National Orchestra; Ruth Reinhardt; Orfeón Pamplonés

BilbaoRuth Reinhardt dirige Hindemith y Dvořák

Ruth Reinhardt dirige Hindemith y Dvořák
Hindemith, Ondarra, Berlioz, Dvořák
Basque National Orchestra; Ruth Reinhardt; Orfeón Pamplonés

Vitoria-GasteizRuth Reinhardt dirige Hindemith y Dvořák

Ruth Reinhardt dirige Hindemith y Dvořák
Hindemith, Ondarra, Berlioz, Dvořák
Basque National Orchestra; Ruth Reinhardt; Orfeón Pamplonés

PamplonaRuth Reinhardt dirige Hindemith y Dvořák

Ruth Reinhardt dirige Hindemith y Dvořák
Hindemith, Ondarra, Berlioz, Dvořák
Basque National Orchestra; Ruth Reinhardt; Orfeón Pamplonés
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Darkness and light: Petrenko and the Berlin Philharmonic

Kirill Petrenko conducts the Berlin Philharmonic © Stephan Rabold

In their latest contribution to the Berlin Festival, Kirill Petrenko and the Berlin Philharmonic, with violinist Frank Peter Zimmermann, brought together brooding Berg and sunny Dvořák.

****1
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Xavier Phillips glows in Elgar with the Seattle Symphony

Two spirited, late romantic works bookended a more somber one in Ludovic Morlot’s Masterworks performance with the Seattle Symphony.
*****
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Messiaen’s austerely beautiful Chronochromie in Cleveland

Franz Welser-Möst conducted the Cleveland Orchestra in a program which also included Messiaen’s 1932 Hymne and Dvořák’s Fifth Symphony.
****1
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Chloë Hanslip with Czech National Symphony Orchestra in Bristol

On walking into the foyer of Colston Hall, I was greeted by the sound of a jazz band playing The Girl from Ipanema. This was not quite what I expected from the Colston Hall’s “Symphony Project”, but nevertheless a tasteful and welcoming opening, that created a cheerful atmosphere.
***11
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Mitsuko Uchida and Robin Ticciati with the LSO at the Barbican

A hush fell over the auditorium as renowned concert pianist and long-standing friend of the LSO Mitsuko Uchida took her seat for Mozart’s Rondo in A minor for solo piano. A personal tribute to Sir Colin Davis, Uchida opened the Rondo with almost childlike simplicity, the delicate chromaticism of the opening theme played with simplicity and tenderness and a magical connection to the melodic line.
****1
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