Work: Symphony no. 93 in D major

The Austrian conductor's loudest fortes and softest pianos pull together a dramatic arc from the Requiem, other Mozart works and chant. But it's not really a funeral. 

Richard Egarr conducts a pair of Haydn's London Symphonies and turns soloist in a piano concerto by Dussek.

If he could, would Beethoven have chosen Mitsuko Uchida to première his final piano concerto? They certainly seem to inhabit the same creative plane, at once revelling in the innovative – nay, revolutionary – features, whilst enjoying the grand connections with their historical precedents too.