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Work: Trio in E flat major for Horn (or Cello or Viola), Violin and Piano, Op.40

Fact file
ComposerBrahms, Johannes (1833-1897)
Work typeChamber
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StockholmZilliacusPerssonRaitinen Trio

Mulsant, Brahms, Schumann, Rautavaara, Clarke, Bridge
Cecilia Zilliacus; Johan Ullén; Kati Raitinen; Lise Berthaud

Munich2. Kammerkonzert

2. Kammerkonzert
Mozart, Beethoven, Brahms
Milena Viotti; Meghan Nenniger; Hanna Asieieva; Clemens Gordon

RotterdamMozart and Brahms: chamber music

Mozart, Brahms
Lahav Shani; Remco de Vries; Jan Jansen; David Fernández Alonso

HamburgNDR Kammerkonzert

Mahler, Brahms, Elgar
Adrian Diaz Martinez; Marietta Kratz; Xabier de Felipe Prieto; Anna Theegarten

PasadenaBrahms V

Margaret Batjer; Robert Thies; Tereza Stanislav; Bernadene Blaha
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An unusual and moving evening in Seattle'

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The second week of the Seattle Chamber Music Society's 2015 Summer Festival offered up an unusual juxtaposition of instrumental and vocal pieces, with a beautifully somber mood prevailing.
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The second of five concerts in the (deep breath) Autumn 2013 International Music Seminar Prussia Cove Open Chamber Music Tour saw the musicians giving their all for a BBC Radio 3 recording at the acoustically sensitive St George’s Bristol.It’s not often that you see such an age range among musicians taking to the stage.
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Whenever Brahms is mentioned, songs and symphonies often come straight to mind: after all, the man was the master of all things symphonic, even his piano sonatas being called “veiled symphonies” by his mentor, Schumann.
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Northern Sinfonia’s season of music by Brahms and Schumann opened on Friday night with the very public statements of their first symphonies, and the following night members of Northern Sinfonia turned inwards to the introspective and private world of their chamber music.Brahms was introduced to Schumann by the great violinist Joseph Joachim, and the three men were great friends.
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Lomeiko-Zhislin Russian violin duo perform a challenging Romantic programme

In this programme packed with Romantic intensity, the Russian Lomeiko-Zhislin duo demonstrated their versatility and ingenuity in crafting a programme of varied instrumental combinations.First they were joined by pianist Katia Skanavi for three pieces by Bruch, whose skill as a miniaturist was reminiscent of Grieg and Dvorak in its persuasive lyricism.