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Fact file
| Composer | Bernstein, Leonard (1918-1990) |
| Period | Early 20th century |
| Work type | Opera / Oratorio |
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VeniceThe telephone & Trouble in TahitiNew production

Menotti, Bernstein
Francesco Lanzillotta; Gianmaria Aliverta; Teatro La Fenice; Orchestra del Teatro La Fenice; Coro del Teatro La Fenice; Allen Boxer; Elisa Balbo
ParisNouvel an à Broadway / Enrique Mazzola, Concert du Nouvel An

Bernstein, Brodszky, Rodgers, Berlin, Sondheim
Orchestre National de France; Enrique Mazzola; Ann Toomey; Katherine Beck; Daniel Espinal; Ian Rucker
La RochelleNouvel an à Broadway / Enrique Mazzola, Concert du Nouvel An

Bernstein, Brodszky, Rodgers, Berlin, Sondheim
Orchestre National de France; Enrique Mazzola; Ann Toomey; Katherine Beck; Daniel Espinal; Ian Rucker
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Opera Prelude compares and contrasts Bernstein and Weill

Opera Prelude’s emerging artists bring out both contrasts and similarities in Trouble in Tahiti and The Seven Deadly Sins.
Bernstein’s devastating double bill of raw emotion cuts to the bone

Henry Neill gives a devastating performance as Sam in Trouble in Tahiti in The Royal Opera’s Bernstein double bill in the Linbury Theatre.
Dido and Aeneas and Trouble in Tahiti at RCS
In the unlikeliest of pairings at RCS, Purcell’s Dido and Aeneas finds resonance with Bernstein’s Trouble in Tahiti, delivered with spirited commitment.
