Articles by Gavin Dixon

Cello Octet resounds at the Hagia Eirene

By , 12 June 2017
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Brahms and Elgar – Russian Style: Alexander Kniazev in Istanbul

By , 11 June 2017
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Spirit of the Dance: Ensari and Schuch at the Istanbul Music Festival

By , 10 June 2017
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Two Left Hands in Istanbul: Piano Concertos from Sermet and Varvaresos

By , 10 June 2017
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Philip Sawyers' powerful new symphony delivered with intensity and focus

By , 01 March 2017
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Luminous Lutosławski from Kirill Karabits and the Bournemouth Symphony

By , 16 February 2017
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Penderecki’s The Black Mask, a brutal and complex parable for our times

By , 07 June 2016
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LSO looking to the future: the Panufnik Composers Scheme

By , 02 March 2016
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Morgen und Abend: Haas' new opera an atmospheric meditation on birth and death

By , 14 November 2015
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Proms 2 & 3: Ten Pieces a hit with young audience

By , 20 July 2015
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Death in Venice at Garsington

By , 22 June 2015
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Manchester International Festival: Mark Simpson discusses The Immortal

By , 01 May 2015
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Eötvös channels Boulez in a solemn rituel and a primal rite with the LSO

By , 24 April 2015
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Tallinn Chamber Orchestra in a programme of premières from young Estonian composers

By , 13 April 2015
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Ansemble Sepia: Zooming Estonia

By , 13 April 2015
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Six of the best: Estonian Music Days festival launches in Tallinn

By , 13 April 2015
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Emotionally complex: Pierre Boulez the centrepiece of the 2015 Holland Festival

By , 03 March 2015
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Rising Stars at Tromsø's Northern Lights Festival

By , 29 January 2015
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Dudamel drives the Simón Bolívars to opulence and excess

By , 09 January 2015
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Buchbinder’s Beethoven: grounded, but graceful

By , 18 December 2014
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