Erin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.
2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-04-16UTC15:37:10+00:002018-04-15Forsythe’s choreography allows ENB's male corps to display their virtuoso skill in its mixed programme at Sadler's Wells.Collective technical prowess: Forsythe’s Playlist tops ENB's Voices of America programmeen_GBtruehttps://bachtrack.com/review-voices-of-america-forsythe-robbins-barton-english-national-ballet-sadlers-wells-april-2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngErin Whitcrofthttps://bachtrack.com/22/270/list-published/23129https://bachtrack.com/22/270/list-published/23129https://bachtrack.com/files/52345-erin-whitcroft.jpgErin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.565Reviewhttps://bachtrack.com/files/81164-english-national-ballet-in-playlist-track-12-by-william-forsythe----laurent-liotardo-3-resized.jpg510340Playlist (Track 1, 2)Laurent Liotardo
ENB’s double-bill lurches, rather jarring, across centuries dividing a nineteenth century canonical romantic ballet from the streamlined expressionism of Kenneth MacMillan’s 1965 Song of the Earth.
2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-01-19UTC15:05:08+00:002018-01-12ENB’s double-bill lurches, rather jarring, across centuries dividing a nineteenth century canonical romantic ballet from the streamlined expressionism of Kenneth MacMillan’s 1965 Song of the Earth. English National Ballet's latest double bill is an unusual pairingen_GBtruehttps://bachtrack.com/review-song-of-the-earth-la-syphide-english-national-ballet-coliseum-london-january-2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngErin Whitcrofthttps://bachtrack.com/22/270/list-published/23129https://bachtrack.com/22/270/list-published/23129https://bachtrack.com/files/52345-erin-whitcroft.jpgErin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.638Reviewhttps://bachtrack.com/files/74225-tamara-rojo-joseph-caley-and-fernando-carratala-coloma-in-song-of-the-earth---laurent-liotardo-2.jpg510340Fernando Carratala Coloma, Tamara Rojo and Joseph Caley in Song of the EarthLaurent Liotardo
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-11-24UTC11:45:43+00:002017-11-24ENB performs Nureyev's Romeo ad Juliet, a production preoccupied with death, which lurks in every corner.ENB's Romeo and Juliet opens in Bristolen_GBtruehttps://bachtrack.com/review-english-national-ballet-romeo-juliet-hippodrome-bristol-november-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngErin Whitcrofthttps://bachtrack.com/22/270/list-published/23129https://bachtrack.com/22/270/list-published/23129https://bachtrack.com/files/52345-erin-whitcroft.jpgErin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.777Reviewhttps://bachtrack.com/files/71847-english-national-ballet-dancers-in-romeo-juliet---laurent-liotardo-1.jpg510350ENB in Romeo and JulietLaurent Liotardo
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-09-08UTC17:25:50+00:002017-08-14Wayne McGregor’s new dance work explores the relation between human bodies and technology as part of his curated installation +/- Human.Wayne McGregor, +/- Humanen_GBtruehttps://bachtrack.com/review-human-wayne-mcgregor-roundhouse-london-august-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngErin Whitcrofthttps://bachtrack.com/22/270/list-published/23129https://bachtrack.com/22/270/list-published/23129https://bachtrack.com/files/52345-erin-whitcroft.jpgErin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.558Reviewhttps://bachtrack.com/files/65744-myimage.jpg351511Dancers from Company Wayne McGregor and The Royal Ballet in McGregor’s +/- HumanRavi Deepres | Alicia Clarke
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-07-03UTC14:37:13+00:002017-07-02Tackling existential themes Alain Platel’s les ballets C de la B bring the audience to the edge of catastrophe through frantic movement.Alain Platel brings Ballets C de la B to Sadler's Wellsen_GBtruehttps://bachtrack.com/review-alain-platel-ballets-c-b-nicht-schlafen-sadlers-wells-june-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngErin Whitcrofthttps://bachtrack.com/22/270/list-published/23129https://bachtrack.com/22/270/list-published/23129https://bachtrack.com/files/52345-erin-whitcroft.jpgErin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.605Reviewhttps://bachtrack.com/files/63212-credit--chris-van-der-burght.jpg510350Ballets C de la B in Nicht SchlafenChris van der Burght
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-05-02UTC12:47:20+00:002017-04-28An evening of acrobatic dance exploring an ecological truism: water’s essential role in survival.Motionhouse's Scattereden_GBtruehttps://bachtrack.com/review-scattered-motionhouse-peacock-sadlers-wells-london-april-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngErin Whitcrofthttps://bachtrack.com/22/270/list-published/23129https://bachtrack.com/22/270/list-published/23129https://bachtrack.com/files/52345-erin-whitcroft.jpgErin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.642Reviewhttps://bachtrack.com/files/58997-motionhouse-in--scattered----photo-by-chris-nash.jpg510350Chris Nash
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-04-18UTC10:23:06+00:002017-04-14An outstanding exploration of trauma and reprieve. Betroffenheit: Kidd Pivot hits Londonen_GBtruehttps://bachtrack.com/review-betroffenheit-kidd-pivot-crystal-pite-jonathan-young-sadlers-wells-london-april-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngErin Whitcrofthttps://bachtrack.com/22/270/list-published/23129https://bachtrack.com/22/270/list-published/23129https://bachtrack.com/files/52345-erin-whitcroft.jpgErin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.816Reviewhttps://bachtrack.com/files/58083-crystal-pite---jonathon-young-betroffenheit-3--wendy-d-photography.jpg510360Wendy D Photography
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-04-04UTC10:01:40+00:002017-04-04The Royal Ballet’s 50th anniversary revival of Balanchine’s abstract ballet Jewels is a showpiece displaying a company of dancers in celebratory form. Balanchine's Jewels brighten the Royal Opera Houseen_GBtruehttps://bachtrack.com/review-jewels-balanchine-royal-ballet-royal-opera-house-london-april-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngErin Whitcrofthttps://bachtrack.com/22/270/list-published/23129https://bachtrack.com/22/270/list-published/23129https://bachtrack.com/files/52345-erin-whitcroft.jpgErin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.770Reviewhttps://bachtrack.com/files/57265-jewels--marianela-nunez-and-thiago-soares-in-diamonds---roh---bill-cooper--2013.jpg350476Marianela Nunez and Thiago Soares in DiamondsBill Cooper | ROH 2013
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-03-27UTC14:04:40+00:002017-03-27English National Ballet's ambitious triple bill does not disappoint; it shows a company on the rise. A bold triple bill from English National Ballet, bookended by two mastersen_GBtruehttps://bachtrack.com/review-adagio-hammerklavier-in-the-middle-rite-spring-enb-march-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngErin Whitcrofthttps://bachtrack.com/22/270/list-published/23129https://bachtrack.com/22/270/list-published/23129https://bachtrack.com/files/52345-erin-whitcroft.jpgErin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.811Reviewhttps://bachtrack.com/files/56654-english-national-ballet-isaac-hernandez-in-in-the-middle-somewhat-elevated-c-laurent-liotardo-resized.jpg510340Isaac Hernández: In The Middle, Somewhat ElevatedLaurent Liotardo
Charleroi Danses’ dancing hands evoke a world of loss and regret in a unique and inventive stage show as part of the London International Mime Festival
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-02-06UTC09:15:53+00:002017-02-03Charleroi Danses’ dancing hands evoke a world of loss and regret in a unique and inventive stage show as part of the London International Mime FestivalCharleroi's Kiss and Cry: Hands of Loveen_GBtruehttps://bachtrack.com/review-kiss-cry-charleroi-danses-barbican-theatre-london-february-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngErin Whitcrofthttps://bachtrack.com/22/270/list-published/23129https://bachtrack.com/22/270/list-published/23129https://bachtrack.com/files/52345-erin-whitcroft.jpgErin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.654Reviewhttps://bachtrack.com/files/52601-kiss---cry-3---marteen-vanden-abeele.jpg510350Marteen Vanden Abeele
