Erin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.
ENB’s double-bill lurches, rather jarring, across centuries dividing a nineteenth century canonical romantic ballet from the streamlined expressionism of Kenneth MacMillan’s 1965 Song of the Earth.
Charleroi Danses’ dancing hands evoke a world of loss and regret in a unique and inventive stage show as part of the London International Mime Festival
