Motionhouse: Scattered

By Erin Whitcroft, 28 April 2017

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Reviewed at Sadler's Wells: Peacock Theatre, London on 26 April 2017

Scattered

Motionhouse

A Streetcar Named Desire: a gripping retelling at Ballett am Rhein

Vikki Jane Vile, 8th May

Ballet isn’t always pretty, there are plenty of examples in repertoires across the world. John Neumeier’s Streetcar Named Desire (Endstation Sehnsucht) is to reach another level of grim but gripping brutality told through dance.

****1

The Great Gatsby at Kansas City Ballet

Hilary Stroh, 8th May

Septime Webre’s dazzling, maximalist Great Gatsby for the Kansas City Ballet is instantly engaging.

*****

Royal Danish Ballet’s Lady Macbeth: Akram Khan works his magic again

Graham Watts, 7th May

An excellent extension to Akram Khan’s growing repertoire of contemporary ballet, Lady Macbeth, his first creation for Royal Danish Ballet, brought out powerful performances from the entire cast.

****1

The Trocks at Sadler’s Wells: uproariously entertaining

Graham Watts, 5th May

A very welcome and hilarious return to the UK from Les Ballets Trockadero de Monte Carlo, this time at Sadler’s Wells, they offer familiar and new works.

****1

Parsons Dance brings the fun to modern at the Joyce Theater

Ivy Lin, 1st May

Six works, including two world premieres, made up the latest program from Parsons Dance. Thoroughly joyful, the audience were sent home buzzing.

*****

Contemporary escapism at New York City Ballet

Carla Escoda, 1st May

A longtime NYCB fan favorite, Concerto DSCH by Alexei Ratmansky, meets the New York premiere of Christopher Wheeldon's Continuum. But the evening belonged to corps dancer Ruby Lister in Edwaard Liang’s Distant Cries.

****1

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Erin Whitcroft

Erin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.

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