Ahead of performances with Insula orchestra in February, the South Korean pianist talks about taking inspiration from Beethoven’s harmony, early pianos, and making musical choices that are maximally persuasive.
From Buxtehude, Bach and Handel, to contemporary composer Liza Lim, we take a tour of the myriad forms of composers’ handwriting and calligraphy – and how music makes itself on the page.
The young Austrian pianist reunites with Jakub Hrůša and the Bamberg Symphony Orchestra for a tour this November. He talks about taking inspiration from improvisation, and being an “accidental” artist...
Jan Lisiecki, this season’s Spotlight Artist with the Toronto Symphony Orchestra, delves into the significance of Beethoven’s five piano concertos, which he leads from the keyboard in a thrilling two-night marathon.
Deutsche Grammophon’s STAGE+ has assembled a comprehensive archive of Karajan’s recordings, concert films and opera performances – which did much to define the sound of classical music in the 20th century.
Francisco Martínez Ramos nació en Las Palmas de Gran Canaria. Comenzó sus estudios musicales en el Conservatorio de su ciudad natal y con profesores privados. Posteriormente estudió en Madrid, Philadelphia y Londres. Ha dado recitales y conciertos con orquesta por diversos países. Es doctor por la Universidad de la Laguna y catedrático de piano en el Conservatorio Superior de Música de Castilla y León.
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