With many new full-length dance works to look out for in the new season, we preview several anticipated new creations from leading choreographers – including a number with newly commissioned scores.
Alina Cojocaru talks about the magical process of creating new roles, working with great choreographers and how, in spite of a long career, she is still learning every day.
Encompassing over 500 interviews with people involved in the dance world, Voices of British Ballet aims to preserve important oral testimony from people instrumental to the development of ballet in the UK.
What changes did the classical music world see in 2024? Are existing trends continuing, or slowing? With more than 30,000 listings across 48 countries, Bachtrack offers a valuable snapshot into the classical music world.
Ahead of the release of Maestro, starring and directed by Bradley Cooper, Leonard Bernstein’s oldest daughter discusses her father’s impact on her life and the music world at large.
Wayne McGregor’s ambitious ballet based on The Divine Comedy, with a commissioned score by Thomas Adès, is finally receiving its complete premiere – exactly 700 years after Dante’s death. The choreographer talks to Sarah Kirkup about the intricate process behind this multi-arts collaboration.
Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.
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