The Hong Kong-born conductor talks about her entry into music, her love of big Russian repertoire, her “Cinderella moment” winning the Donatella Flick Conducting Competition and her ambition to “go against the grind”.
Among the most performed living composers by orchestras worldwide, Montgomery talks about her personal approach to musical storytelling, and writing a new cello concerto for Abel Selaocoe.
Principal contrabassist of the Royal Stockholm Philharmonic Orchestra talks about why Mahler’s restless and volatile First Symphony is a highlight of any orchestra season.
Setting texts by Nobel prize winning author Han Kang, this new work by British composer Laura Bowler for soprano and large orchestra is an emotionally charged exploration of mourning and longing.
How is the classical music world changing? Looking back on a dizzying year, we pay particular attention to performers’ international connectedness. Documenting more than 30,000 events, Bachtrack’s statistics provide valuable insight into an unstable world.
Young trombonist Meggie Murphy talks about the challenges of becoming a professional musician, the importance of mentorship, and the important role played by LSO Conservatoire Scholarship scheme.
Formerly Chief Classical Music Critic of The Independent, Edward Seckerson is a writer, broadcaster, podcaster, and musical theatre aficionado. He wrote and presented the long-running BBC Radio 3 series Stage & Screen, in which he interviewed many of the biggest names in the business – among them Julie Andrews, Liza Minnelli and Stephen Sondheim. During his journalistic career he has written for most major music publications and is still on the panel of Gramophone magazine. He appears regularly on BBC Radio 3 and 4 and presented the 2007 series of the musical quiz Counterpoint. On television, he has commentated a number of times at the Cardiff Singer of the World competition. He has published books on Mahler and the conductor Michael Tilson Thomas.
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