How is the classical music world changing? Looking back on a dizzying year, we pay particular attention to performers’ international connectedness. Documenting more than 30,000 events, Bachtrack’s statistics provide valuable insight into an unstable world.
From Buxtehude, Bach and Handel, to contemporary composer Liza Lim, we take a tour of the myriad forms of composers’ handwriting and calligraphy – and how music makes itself on the page.
A century after its founding in 1926, former members of Ballet Rambert recall the joys and challenges of working directly with Dame Marie Rambert, one of the trailblazers of British ballet.
What do you buy for the culture lover in your life who seems to have everything? Here are some music and dance-related gifts that Bachtrack staff are giving or hoping to receive for Christmas this year.
The great ballerinas of the 19th century were perhaps the first modern celebrities. Rather than bare all, their images cultivated a mysterious, supernatural aura that made them seem unattainable.
Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.
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