From Buxtehude, Bach and Handel, to contemporary composer Liza Lim, we take a tour of the myriad forms of composers’ handwriting and calligraphy – and how music makes itself on the page.
Classical music’s most lucrative award, of $1 million, has been given to the prestigious French summer opera festival, in particular recognition of Kaija Saariaho’s opera Innocence.
Director Fabrice Murgia talks about Seasons, a new production for La Cité Bleue using music and film, creating portraits of imaginary residents of La Cité universitaire in Geneva.
Dramatising the aftermath of a mass shooting in Finland, Innocence explores violence, trauma and collective responsibility. Co-librettist Aleksi Barrière speaks about one of Kaija Saariaho’s last major works.
Formée au Conservatoire de Metz, Clara Leonardi y obtient son DEM de violon et son prix de Perfectionnement de quatuor à cordes. Elle s’implique aujourd’hui dans plusieurs orchestres amateurs parisiens en parallèle de ses études de commerce et fréquente assidûment les grandes salles parisiennes. Passionnée par le répertoire des compositrices, elle est aussi la co-fondatrice de ComposHer, un média en ligne dédié aux femmes dans la musique classique.
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