From Buxtehude, Bach and Handel, to contemporary composer Liza Lim, we take a tour of the myriad forms of composers’ handwriting and calligraphy – and how music makes itself on the page.
Simon Rattle called Robert Schumann’s strange, Orientalist oratorio “the greatest masterpiece you’ve never heard of”. We discover this enigmatic piece ahead of Insula orchestra’s production at La Seine Musicale.
Ahead of an appearance in Lugano in March, the busy French cellist talks about his relationships with Martha Argerich, his brother Renaud, and mentoring young musicians with the Fondation Gautier Capuçon.
Mark and Elisabeth travel to the sinister worlds of singing automata and seven-headed mouse kings to bring you the best works inspired – and composed – by ETA Hoffmann.
If music be the food of love... the Bard of Stratford-upon-Avon has inspired composers for centuries. Enjoy our top ten playlist featuring works from Felix Mendelssohn to Thomas Adès.
Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.
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