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Abel, Haydn, Boyce, Sammartini
Masaaki Suzuki; Juilliard415; Rebecca Farley
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Notwithstanding Esfahani and McKeish’s sterling account of the Poulenc and the orchestra’s thrilling take on The Sorcerer’s Apprentice, this was not a consistent enough concert to be called a complete success.
The Bone Feeder was a thought-provoking deliberation on the history, culture and the nature of belonging.
While maybe not for the musical puritans, this was the perfect showcase for an exceptional group of musicians to demonstrate their formidable technical and interpretative talents and to respectfully give some new vitality to the magical works of Purcell.
...it was the Bach pieces that were the undoubted highlights, particularly the radiant contribution of Sara Macliver.
This performance of Oreste showcased a exceptionally strong young cast keenly in tune with Handelian style.
Four Last Songs impresses with the radiant Christiane Libor, Mahler demands a little more tension and sense of propulsion than conductor Edo de Waart provided.