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Classical music, opera, ballet and dance in Los Angeles, CA, United States

Use Bachtrack's search facility to find concerts, opera and dance events not only in this city but right around the world. Bachtrack has the largest number of upcoming events of any website, and if you want to read reviews of events which have taken place here, or in another country, you can search here for exactly the reviews which interest you.

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Los AngelesGustavo Conducts Gurrelieder

Schoenberg: Gurre-Lieder
Los Angeles Philharmonic Orchestra; Gustavo Dudamel; Grant Gershon; Los Angeles Master Chorale

Los AngelesSteve Reich Première

Reich
LA Phil New Music Group; Brad Lubman

Los AngelesLe nozze di Figaro (The Marriage of Figaro)New production

Mozart: Le nozze di Figaro (The Marriage of Figaro)
James Conlon; James Gray; LA Opera; Santo Loquasto; Christian Lacroix; Christopher Maltman; Guanqun Yu
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LA Opera’s Roberto Devereux miraculously comes together

Angela Meade (Elisabetta) © Karen Almond for Dallas Opera (2009)
Angela Meade fills in for an indisposed soprano in Los Angeles Opera’s company debut of Donizetti’s Roberto Devereux.
****1
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Dudamel returns to Los Angeles to start off the Phil’s Ives cycle

Gustavo Dudamel © Vern Evans
Dudamel starts off the inaugural concert in the LA Phil’s Ives symphony cycle. 
*****
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Twilight draws on LA Phil’s look back at Weimar Germany

Esa-Pekka Salonen © Clive Barda
The Los Angeles Philharmonic under Salonen look back at the dwindling twilight years of the Weimar Republic. 
****1
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Looking back at Weimar: Salonen conducts the LA Phil

Esa-Pekka Salonen © Benjamin Suomela
The Los Angeles Philharmonic under Salonen inaugurates their musical retrospective of Weimar Germany. 
****1
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Matthew Aucoin’s Eurydice: a new take on an heroic journey

Rod Gilfry (Eurydice's father) and Danielle de Niese (Eurydice) © Cory Weaver
Matthew Aucoin’s Eurydice enjoys its world premiere at LA Opera. 
****1
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Action and reaction: Mehta conducts Wagner, Schoenberg and Webern

Christine Goerke © Arielle Doneson
Zubin Mehta returns to Disney Hall, demonstrating the multifaceted implications of Wagner and his “music of tomorrow”.
*****
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