Arnold Schoenberg (1874-1951)

Late Brahms, early Schoenberg: under Lahav Shani and the Rotterdam Philharmonic draw tenderness from two monumental scores. 

Fragments by Brahms, Schoenberg and Schubert orbit Beethoven's Waldstein and Schumann's Carnaval in another masterful recital from Sir Stephen Hough.  

Some 30 years after its first appearance, Robert Lepage’s double bill of Duke Bluebeards Castle and Erwartung is still strikingly effective and very modern-looking music theatre.

A little over a year after his marathon all-Ravel recital at the Hall, the Korean pianist returns with an exquisitely performed program of Bach, Schoenberg, Robert Schumann and Chopin.

Another cast debuts in Glen Tetley's Pierrot Lunaire and shows us that, more than 60 years on, it's every bit as watchable as when it premiered.