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Composer: Gluck, Christoph Willibald (1714-1787)

April 2019
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Evening performance
Matinee performance
Upcoming eventsSee more...

CincinnatiTrifonov plays Beethoven's Emperor

Gluck, Beethoven, Pärt, Stravinsky
Cincinnati Symphony Orchestra; Louis Langrée; Daniil Trifonov

MunichAlcesteNew production

Alceste
Gluck: Alceste
Antonello Manacorda; Sidi Larbi Cherkaoui; Bavarian State Opera; Henrik Ahr; Dorothea Röschmann; Charles Castronovo; Michael Nagy

LondonGluck: Bauci e Filemone / Orfeo

Gluck: Bauci e Filemone / Orfeo
Gluck
Ian Page; Nick Winston; Classical Opera; Rebecca Bottone; Rachel Kelly; Gwilym Bowen

HalleFestkonzert mit Valer Sabadus

Handel, Caldara, Holzbauer, Jommelli, Gluck, Graun
Akademie für Alte Musik Berlin; Bernhard Forck; Valer Sabadus

WatfordMichael Harvey - Piano Recital

Michael Harvey - Piano Recital
Ravel, Chopin, Rossini, Gluck, Beethoven
Michael Harvey, Piano
Latest reviewsSee more...

Ivan Putrov's Against the Stream gala unearths some gems

Dmitry Zagrebin dances The Flames of Paris © Andrej Uspenski
A well-curated gala with gravitas; showcasing several works and dancers rarely, if ever, seen in London.
****1
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A blaze of brassy glory in Vasily Petrenko's Walton 1

George Li © Simon Fowler
Walton’s First Symphony from 1935 rounded off the evening in a blaze of brassy glory. Petrenko approached the work in a full-blooded fashion, which didn’t always hit the mark, but was ultimately thrilling.
****1
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A minimalist reading of Orfeo ed Euridice in Rome

Carlo Vistoli (Orfeo) and Mariangela Sicilia (Euridice) © Fabrizio Sansoni
Robert Carsen's minimalist modern reading of Gluck's masterpiece is a pure distillation of opera (and life) and the Teatro dell'Opera di Roma.
****1
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Reform romcom: Odyssey Opera’s Paride ed Elena

Mireille Asselin (Elena) and Meghan Lindsay (Paride) © Kathy Wittman
Helen of Troy is the theme for this half of Odyssey’s season, launched with Gluck's rarity. 
****1
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Spliced: Mozart, Magdalena and the OAE mix it up

Magdalena Kožená © Oleg Rostovtsev
Mozart's Symphony no. 40 gets the chop, split into four movements interspersed with arias sung by Czech mezzo Magdalena Kožená. 
****1
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