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Fact file
Composer | Gluck, Christoph Willibald (1714-1787) |
Period | Classical |
Year | 1762 |
Work type | Opera / Oratorio |
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BarcelonaOrfeo ed Euridice

Gluck: Orfeo ed Euridice
René Jacobs; Gran Teatre del Liceu; Freiburg Baroque Orchestra
MadridOrfeo ed Euridice
Gluck: Orfeo ed Euridice
René Jacobs; Teatro Real; Freiburg Baroque Orchestra; RIAS Kammerchor Berlin; Kateryna Kasper; Polina Pastirchak
AlresfordOrfeo ed Euridice / Dido and Aeneas
Gluck, Purcell
Harry Christophers; Daniel Slater; The Grange Festival; Robert Innes Hopkins; Johanna Town; The Orchestra of The Sixteen
SalzburgOrfeo ed Euridice
Gluck: Orfeo ed Euridice
Gianluca Capuano; Christof Loy; Johannes Leiacker; Ursula Renzenbrink; Olaf Winter; Les Musiciens du Prince-Monaco
PalermoOrfeo ed Euridice
Gluck: Orfeo ed Euridice
Gabriele Ferro; Danilo Rubeca; Teatro Massimo; Domenico Franchi; Alessio Rosati; Marco Giusti; Orchestra del Teatro Massimo
Latest reviewsSee more...
A superb Orfeo ed Euridice opens the Salzburg Whitsun Festival
Gianluca Capuano and Les Musiciens du Prince open the Pfingstfestspiele with a bang in a profound interpretation of Gluck’s masterpiece, where Cecilia Bartoli shines in her debut as Orfeo.
Aesthetic unity shines in bold staging of Orfeo ed Euridice in Tokyo
Several notable house debuts, including the renowned director and choreographer Sabuto Teshigawara, enlivened the New National Theatre's first-ever production of Gluck's opera.
Everything leads back to square one in new Orfeo ed Euridice
A coherent, modern version of the Orpheus myth from the Italian director at the Komische Oper Berlin.
Orfeo ed Eurydice in Seattle... without the happy ending
Seattle Opera’s tiny Tagney Jones Hall hosts a new production of Gluck's opera, but without the happy ending he was forced to provide.
At the Met, a revival of Orfeo ed Euridice
Jamie Barton's rich, mellifluous mezzo is ideal for singing Orfeo.