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Composer: Janáček, Leoš (1854-1928)

October 2018
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Evening performance
Matinee performance
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AmsterdamJenůfaNew production

Evelyn Herlitzius (Kostelnička) and Annette Dasch (Jenůfa) © Ruth Walz
Janáček: Jenůfa
Tomáš Netopil; Katie Mitchell; Dutch National Opera; Lizzie Clachan; Annette Dasch; Evelyn Herlitzius

MunichAus einem Totenhaus

Aus einem Totenhaus
Janáček: From the House of the Dead
Simone Young; Frank Castorf; Bavarian State Opera; Aleksandar Denić; Adriana Braga Peretzki; Aleš Briscein; Charles Workman

CardiffWNO Orchestra

WNO Orchestra
Rossini, Elgar, Janáček
Tomáš Hanus; Narek Hakhnazaryan; Gustáv Beláček

LondonLife out of death

Life out of death
Klein, Schulhoff, Martinů, Janáček
London Philharmonic Orchestra; Vladimir Jurowski; Borodin Quartet

BarcelonaKáťa Kabanová

Káťa Kabanová
Janáček: Káťa Kabanová
Josep Pons; David Alden; Gran Teatre del Liceu; Charles Edwards; Jon Morrell; Patricia Racette; Nikolai Schukoff
Latest reviewsSee more...

Eros in Oxford: Brahms, Janáček and gypsies

Dorottya Láng © Shirley Suarez
Julius Drake’s torrential postlude capped an evening in which he had been superb throughout.
****1
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Gardner's Zarathustra and the Glagolitic Mass impress

Edward Gardner © Benjamin Ealovega
Edward Gardner opens the Hallé's Thursday series with dramatic Strauss and Janáček.
****1
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“Soap opera at its best”: Katie Mitchell's Jenůfa

Evelyn Herlitzius (Kostelnička) and Annette Dasch (Jenůfa) © Ruth Walz
Katie Mitchell's second production of Jenůfa is a straightforward, effective reading of the libretto well supported by excellent singing actors.
****1
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Something special in the air: Rattle and the LSO

Sir Simon Rattle © Mark Allan | Barbican
Festive Janáček and energetically fresh Sibelius from Rattle and the LSO, with impressive focus and intensity from Janine Jansen in Szymanowski's sensuous Violin Concerto no. 1.
*****
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The Bohemians and Britten: Simon Rattle/LSO

Allan Clayton, Elizabeth Watts, Simon Rattle, Alice Coote and the LSO © Doug Peters | PA Wire
There was a tingle to this concert, as if musicians and audience alike saw clearly for the first time what riches lie ahead.
****1
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