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Work: Jenůfa

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Fact file
ComposerJanáček, Leoš (1854-1928)
PeriodEarly 20th century
Work typeOpera / Oratorio
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BambergJakub Hrůša: Leoš Janáček - Jenůfa

© Marian Lenhard
Janáček: Jenůfa
Bamberg Symphony; Jakub Hrůša; Corinne Winters; Eliška Weissová; Nicky Spence; Thomas Atkins

BrnoJenůfa

National Theatre Brno
Janáček: Jenůfa
Jakub Hrůša; Martin Glaser; Janáček Opera NTB; Pavel Borák; Markéta Oslzlá-Sládečková; Martin Špetlík; Janáček Opera NTB Orchestra

BarcelonaJenůfa

© No credit
Janáček: Jenůfa
Jonathan Nott; Àlex Ollé; Gran Teatre del Liceu; Alfons Flores; Lluc Castells; Urs Schönebaum; Orquesta Sinfónica del Gran Teatre del Liceu
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A bleak Jenůfa from Calixto Bieito

Alžběta Poláčková (Jenůfa), Aleš Briscein (Laca) © Pavel Hejný
The director drains the life out of an impassioned opera with a staging devoid of authenticity and ideas.
**111
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Redemption Song: Jenůfa triumph signals a bright future for Hrůsa

Corinne Winters (Jenůfa) © ROH | Camilla Greenwell
Corinne Winters is phenomenal as the self-possessed Jenůfa in The Royal Opera's revival of Claus Guth's powerful staging. 
*****
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Stemme leads an explosive Jenůfa at Royal Swedish Opera

Nina Stemme (Kostelnička), Cornelia Beskow (Jenůfa) © Markus Gårder
Janáček’s drama of infanticide is delivered at full power by Nina Stemme and Agneta Eichenholz in Annilese Miskimmon’s well-crafted production. The orchestra, however, are just too loud.
****1
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Latest articles

Heartbreak in real time: Corinne Winters on Jenůfa

Corinne Winters as Jenůfa © RBO | Camilla Greenwell
The leading US soprano talks about her experiences singing one of opera’s most devastating roles, which she takes to Brno this autumn.

How to sing infanticide: Karita Mattila on Jenůfa

Karita Mattila as the Kostelnička with Prague National Theatre Opera in Savonlinna, July 2024 © Jussi Selvenoinnen
The Finnish soprano doesn’t like the word evil. Her approach to singing villain roles is to find the humanity in the character – which is always there. 

Bachtrack top ten: Leoš Janáček

Leoš Janáček © Public domain
Janáček was heavily influenced by folk music and speech inflections of his native Moravia. The vast majority of his greatest works come from his final decade, inspired by his infatuation with Kamila Stösslová.