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Composer: Manoury, Philippe (b. 1952)

Fact file
Year of birth1952
NationalityFrance
PeriodContemporary
March 2019
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Evening performance
Matinee performance
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LondonPoem of Ecstasy

Lang, Manoury, Shin, Scriabin
London Symphony Orchestra; François-Xavier Roth; Simon Halsey

CologneGürzenich Orchestra: Symphony Concert 10

Manoury: Lab.Oratorium, for voices, orchestra and live electronics
Gürzenich Orchestra; Thomas Goepfer; Rinnat Moriah; Tora Augestad; Patrycia Ziolkowska; Sebastian Rudolph

HamburgGürzenich Orchestra in Hamburg

Manoury: Lab.Oratorium, for voices, orchestra and live electronics
Gürzenich Orchestra; Nicolas Stemann; François-Xavier Roth

ParisGürzenich Orchestra in Paris

Manoury: Lab.Oratorium, for voices, orchestra and live electronics
Gürzenich Orchestra; Nicolas Stemann; François-Xavier Roth

ParisLaboratorium

Stockhausen, Manoury
Gürzenich Orchestra; François-Xavier Roth; SWR Vokalensemble; Ensemble vocal Stella Maris; Rinnat Moriah; Tora Augestad
Latest reviewsSee more...

Spiritually-charged Luigi Nono at Musikfest Berlin

Isabelle Faust © Peter Adamik | Berlin Festspeil
On the eve of the Musikfest Berlin, Isabelle Faust’s performance of Luigi Nono’s La lontananza nostalgica utopica futura was an extraordinary time capsule back to the work’s premiere in 1988.
*****
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NYC Biennial - Boulez

The four pieces – all U.S. premières – created a portrait of Boulez minus Boulez, reminding me of a middle school art exercise in which we were asked to draw an egg without any white crayons.
****1
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Viola partitas at Kings Place

It was clear from the start of this Monday’s ‘Out Hear’ concert at Kings Place that we were in for an intense performance. The stage was bare and the lighting was down. Christophe Desjardins’ recital of partitas by J.S. Bach and Philippe Manoury was a serious affair, as befitted a serious and intriguing selection of works.Manoury’s Partita I is for viola and live electronics.

Avec Kein Licht, Philippe Manoury et Nicolas Stemann réinventent l’opéra

© Vincent Pontet
Spectacle total et foisonnant, Kein Licht réussit à stimuler la réflexion sans que l’émotion en pâtisse. Et si l’avenir de l’opéra se trouvait dans le nouveau genre du Thinkspiel ?
****1
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Les « Passions » de Matthias Pintscher : gala chamarré à la Philharmonie

Matthias Pintscher © Felix Broede
Programme pléthorique que celui de cette soirée ! A l’ordre du jour, un corpus d’œuvres mues par la passion, où J.S. Bach flirte avec Manoury et Vito Zuraj lance d’incessants clins d’œil à B.A. Zimmerman.
****1
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