Endless spirals: Philippe Manoury remembers Pierre Boulez

Philippe Manoury

Pierre Boulez and Philippe Manoury at Ircam in 1992

Philippe Manoury

By Chloë Rouge, 27 March 2025

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“Contradiction interested him a lot”

Tim Rutherford-Johnson, 10th July

This year Chigiana International Festival presents Yann Robin’s new opera Medusa, inspired by Alessandro Scarlatti and Caravaggio – music poised between past and future.

Barbara Hannigan and Herbie Hancock honoured with Polar Music Prizes

Bachtrack, 18th March

Canadian soprano and conductor Barbara Hannigan and US jazz pianist and composer Herbie Hancock, together with British rock band Queen, join an illustrious list group of musicians to win the Swedish prizes.

Sensuality and modern music: Barbara Hannigan

Lawrence Dunn, 6th December

Barbara Hannigan talks about her relationship with Boulez, on singing Pli selon pli, and returning to the London Symphony Orchestra to conduct two programmes this season.

Cosmopolitan commonwealths: Natalia Olczak on Early music in Poland

Lawrence Dunn, 20th March

The young Polish harpsichordist with the Cohaere Ensemble talks about the Early music scene in Poland, her investigations into music of 18th-century Danzig, one of Europe’s most cosmopolitan cities.

Rare symphonies: Masaaki Suzuki returns to Singapore

Nahoko Gotoh, 19th March

Renowned Japanese conductor returns to the Singapore Symphony Orchestra to perform unusual music from Johann Wenzel Kalliwoda – an influence on Robert Schumann, who described him as “unique in the world of symphonies”.

Medieval survivors: Irini Bilini Moraiti on Early music in Greece

Lawrence Dunn, 18th March

Medieval music specialists Irini Bilini Moraiti and Dimitris Kountouras talk about their distinctive approaches to Early music in Greece, and the survival of old music through oral traditions.

Chloë Rouge

Après des études d’histoire de la musique au CRR de Paris et de musicologie à l’EHESS avec pour ce sujet de recherche les compositeurs-chefs d’orchestres, Chloë Rouge devient enseignante de formation musicale au conservatoire Maurice Ravel du 13^e arrondissement de Paris. Particulièrement intéressée par la musique contemporaine et la médiation de la musique, elle commence la critique musicale pour le journal Altamusica et rédige des notes de programme pour différentes institutions (Festival de La Chaise-Dieu, Radio France). Depuis 2024, elle fait partie de la commission musique contemporaine de l’Académie Charles Cros.