The chief conductor of the City of Birmingham Symphony Orchestra discusses his love and fascination for Elgar’s deeply personal work – and his experiences performing it for the first time.
Outside, it was as cold as Narnia. But as a lone flute piped the haunting opening phrases of Prélude à l’après-midi d’un faune, we were transported to the warmth of a dreamy afternoon. We were off on a journey around European folk-tales and legends at the end of the 19th century.
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