The chief conductor of the City of Birmingham Symphony Orchestra discusses his love and fascination for Elgar’s deeply personal work – and his experiences performing it for the first time.
Often dismissed on account of its popularity, The Lark Ascending divides audiences... and players. Our own Kevin Ng is a violinist and avoided it for years, but took advice from three violinists when adding it to his repertoire.
The history of British music reads rather like the old joke about buses: there was no composer of note in the two hundred years after Purcell, and then three came along at once. Whilst Elgar and Vaughan Williams have become household names, the third composer who came along at the end of the nineteenth century has been relegated to the dusty shelves of musical history.
***11
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.
