How much classical restraint and how much Romantic feeling do you really want in 19th-century concertos and symphonies? With the RPO, Fumiaki Miura and Andrew Gourlay both choose to err on the side of the former.
***11
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.
