From emperors and empresses to nymphs, gods and giants by way of faithful wives, sorceresses, knights, dastardly noblemen and dazzling coloratura arias, here's your guide to the master showman of Baroque opera.
Classical music is not cool. Most people who’ve come through secondary school with a love for it are well aware of that, having been frequently reminded of it by their peers. As a result of this, most of us probably couldn’t care less, though I’m sure we all question, when beholding some particularly awesome musical event, the premises on which this schoolyard assumption is based.
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